{"id":14791,"date":"2021-02-04T11:54:02","date_gmt":"2021-02-04T10:54:02","guid":{"rendered":"https:\/\/punkt.hu\/?p=14791"},"modified":"2021-04-08T14:44:43","modified_gmt":"2021-04-08T12:44:43","slug":"imre-benko-china-1984-2019","status":"publish","type":"post","link":"https:\/\/punkt.hu\/en\/2021\/02\/04\/imre-benko-china-1984-2019\/","title":{"rendered":"Imre Benk\u0151: China, 1984\u20132019"},"content":{"rendered":"
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\n\n\t\t\t\n\t\t\t\n\t\t\t\t\t\t\t\t\t\"Imre\n\t\t\t\t\t\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div>
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\u201cThe Tao never does anything, yet through it all things are done.\u201d<\/em>
\n(Lao Tzu: Tao Te Ching)<\/em><\/p>\n

An iconic figure of documentary photography, Imre Benk\u0151 took his first photos in the early 1960s. His outlook took shape during his years at the Hungarian News Agency (MTI, 1968\u20131986), though by his own account he never wanted to photograph in an MTI style. He created his first photograph with a documentarian\u2019s eye in 1977, and has since worked with the same mindset and worldview, inspired by Robert Frank, Henri Cartier-Bresson, and Josef Koudelka. For nine years from 1987, he documented the decay of metallurgy in \u00d3zd, and in 1992 this photo series won him the scholarship of the W. Eugene Smith Memorial Fund (New York). This gallery selects from the photos Imre Benk\u0151 took in China, which he visited nine times over the past 35 years.<\/p>\n

\u201cI was lucky as a young photographer to be able to work in various Asian countries. I was taken by the distinctive lifestyles of nations living in different social systems, and I became more and more intrigued by what it was I could visualize with photography. In 1984 I spent a month taking photos in and around Beijing, wandering around with the help of the most popular Chinese vehicle, the bicycle, familiarizing myself with a metropolis that was vast but was composed mostly of one-storey buildings that were not to be taller than the former imperial palace. I could observe life in the narrow hutongs and on the imposing Tiananmen Square. Growing ever faster, this metropolis of 21 million now has ten ring roads around the ever taller skyscrapers, with cars flooding four or five lanes in every direction. In 2005, I was given a taste of life in the burgeoning cities around Shanghai. In the quiet of trains dashing at 300 kph, I had time to muse on how life and traditions change, on a globalized world and mortality.\u201d<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: Tiananmen Square. Beijing, China, 1984 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: The 100-year-old Teahouse. Pengzhen, Sichuan Province, China, 2016 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: Beijing. China, 2013 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: Sanming. Fujian Province, China, 2016 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div>

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\u201cIn recent years, a few Chinese and Hungarian photographers were invited by painter-photographer Wei Xian to participate in a programme called \u2018In the Mirror of the Silk Road,\u2019 and we had a chance to study and photograph what are, for us, mysterious cultural traditions, as well as the kaleidoscope of everyday life, in various provinces of China: Sichuan, Jiangsu, Fujian, Gansu, Shaanxi, Jiangxi, and Liaoning. In 2017 we got to see Northern Tibet, and it was a wonderful experience to take photographs in the Buddhist monasteries at altitudes over 3000 metres, and to muse at sunset on the banks of the legendary Yellow River.\u201d<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: Nanjing. Jiangsu Province, China, 2013 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: Pengzhen. Sichuan Province, China, 2016 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: Xiamen. Fujian Province, China, 2019 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: Beijing. China, 2013 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: Linxia. Gansu Province, China, 2017 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: Shenyang. Liaoning Province, China, 2019 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: Lingxi Township. Jiangxi Province, China, 2018 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: Yellow River. Gansu Province, China, 2017 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Imre Benk\u0151: The Summer Palace. Beijing, China, 2018 \u00a9 Imre Benk\u0151<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

\u201cI was lucky as a young photographer to be able to work in various Asian countries. I was taken by the distinctive lifestyles of nations living in different social systems, and I became more and more intrigued by what it was I could visualize with photography.”<\/p>\n","protected":false},"author":6,"featured_media":13470,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"spay_email":""},"categories":[10],"tags":[676,499],"acf":[],"yoast_head":"\nImre Benk\u0151: China, 1984\u20132019 - PUNKT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/punkt.hu\/en\/2021\/02\/04\/imre-benko-china-1984-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Imre Benk\u0151: China, 1984\u20132019 - PUNKT\" \/>\n<meta property=\"og:description\" content=\"\u201cI was lucky as a young photographer to be able to work in various Asian countries. I was taken by the distinctive lifestyles of nations living in different social systems, and I became more and more intrigued by what it was I could visualize with photography."\" \/>\n<meta property=\"og:url\" content=\"https:\/\/punkt.hu\/en\/2021\/02\/04\/imre-benko-china-1984-2019\/\" \/>\n<meta property=\"og:site_name\" content=\"PUNKT\" \/>\n<meta property=\"article:published_time\" content=\"2021-02-04T10:54:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-08T12:44:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/punkt.hu\/wp-content\/uploads\/2020\/12\/punkt-benko-imre-kina-1984-2019-01.jpg?fit=2000%2C1352&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"1352\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kassai L\u00e1szl\u00f3\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/punkt.hu\/#organization\",\"name\":\"PUNKT\",\"url\":\"https:\/\/punkt.hu\/\",\"sameAs\":[\"https:\/\/www.instagram.com\/punkt.hu\/\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/punkt.hu\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/i2.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-rolunk-01.png?fit=729%2C529&ssl=1\",\"contentUrl\":\"https:\/\/i2.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-rolunk-01.png?fit=729%2C529&ssl=1\",\"width\":729,\"height\":529,\"caption\":\"PUNKT\"},\"image\":{\"@id\":\"https:\/\/punkt.hu\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/punkt.hu\/#website\",\"url\":\"https:\/\/punkt.hu\/\",\"name\":\"PUNKT\",\"description\":\"PUNKT\",\"publisher\":{\"@id\":\"https:\/\/punkt.hu\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/punkt.hu\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/punkt.hu\/en\/2021\/02\/04\/imre-benko-china-1984-2019\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/i0.wp.com\/punkt.hu\/wp-content\/uploads\/2020\/12\/punkt-benko-imre-kina-1984-2019-01.jpg?fit=2000%2C1352&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/punkt.hu\/wp-content\/uploads\/2020\/12\/punkt-benko-imre-kina-1984-2019-01.jpg?fit=2000%2C1352&ssl=1\",\"width\":2000,\"height\":1352,\"caption\":\"Imre Benk\\u0151: Great Wall, Mutianyu. 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