{"id":2233,"date":"2019-05-20T09:25:46","date_gmt":"2019-05-20T09:25:46","guid":{"rendered":"https:\/\/punkt.hu\/2019\/05\/20\/varrogep-es-kozlekedesi-baleset-uki-2019\/"},"modified":"2019-07-11T11:06:48","modified_gmt":"2019-07-11T11:06:48","slug":"sewing-machine-and-traffic-accident-uki-2019","status":"publish","type":"post","link":"https:\/\/punkt.hu\/en\/2019\/05\/20\/sewing-machine-and-traffic-accident-uki-2019\/","title":{"rendered":"Sewing Machine and Traffic Accident: UKI 2019"},"content":{"rendered":"
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Unconventional in every which way including its name, Ukmukfukk Zinefest<\/em> was organised again this year, for the fourth time. Nicknamed Uki<\/em>, by now well-established and regarded amongst fanzine enthusiasts as a must-see event, the convention\u2019s mission is to popularise zine-culture in Hungary and bring the local zine community together \u2013 in other words, to create a kind of platform.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\n\t\t\t\n\t\t\t\n\t\t\t\t\"Ukmukfukk\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\t\t\t
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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Ukmukfukk Zinefeszt 2019. Photo: Zsolt Fics\u00f3r<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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But what exactly does fanzine (or zine, for short) mean, and what do fanzines have to do with photography? The term \u201cfanzine\u201d was coined from the words \u201cfanatic\u201d and \u201cmagazine\u201d back in the 1940s. By origin, fanzine was a free form of publication serving uncensored flow of information between different subcultures, used as a means of communication by groups such as the members of sci-fi communities or the fans of punk bands. From the \u201890s, owing to the spread of the internet, communication became simpler and easier, and this function was taken over by mailing lists and blogs, as a consequence of which, the position of fanzines also changed. Independence as well as freedom of content and form remained important criteria for fanzine-makers in the post-digital age, but the design of the booklets, the relation of text and image, typography, and even ambitious and extraordinary printing have gained more significance. Another important motivation is the tangibility, palpability and browsability of the booklets, which provides a well-defined and unique experience for the recipient in contrast with the intangible infinity of the digital universe. Today\u2019s fanzines are usually printed in limited edition, manually numbered and often signed copies, which places their status somewhere midway between publication and artwork.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\n\t\t\t\n\t\t\t\n\t\t\t\t\"Ukmukfukk\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\t\t\t
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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Ukmukfukk Zinefeszt 2019. Photo: Zsolt Fics\u00f3r<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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Contemporary fanzines vary in terms of content, form and execution; simultaneously with fanzines following the classic tradition of photocopied cut-and-paste collage printed on cheap paper in unlimited copies, now booklets edited by graphic designers and printed on high quality paper are also in fashion. Research and definition of sub-genres within the umbrella term \u2018fanzine\u2019 is yet to kick into higher gear, but a distinct class of photozines seems to be emerging somewhere halfway between fanzine and photo book. Photozines are typically edited with a view to the principles of art photography insofar as the represented images are not reproductions of artworks and in no way are they subordinated to textual content, in other words, they are not illustrations. Photozines are often self-published by a given photographer, but there are independent publishers dedicated specifically to printing photography zines, and even conceptual photozines can be found, compiled from found photographs.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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\n\n\t\t\t\n\t\t\t\n\t\t\t\t\"Ukmukfukk\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\t\t\t
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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Ukmukfukk Zinefeszt 2019. Photo: Zsolt Fics\u00f3r<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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Launched in 2016, at the start, Uki <\/em>had been the platform of essentially illustrative, graphic fanzines that had more in common with comics, but as of this year, its concept changed fundamentally. As opposed to the previous years, when most of the tables at the fair had been assigned to international invitees, this year was the first when only Hungarian exhibitors were invited \u2013 as many as fifty-six. Owing to the Zinecubator<\/em> table, which made room for open calls and first-timers, this year\u2019s fair gave a refreshingly colourful impression, and accordingly, a view on the current situation and local tendencies of photozines. The list of exhibitors included well-established players in the field of photo-based publications, such as MAMA Books<\/em><\/a> or DEPOSIT<\/em><\/a>, and at the same time visitors could also get acquainted with the relevant endeavours of members of the Studio of Young Photoraphers (FFS), or the recently started independent publisher aula.co<\/em><\/a>. This latter is the first in the long rows of stands at the fair that I would like to review in detail. Brought to life by curator Andrea Ausztrics a couple of month ago, the collaboration-based multidisciplinary art project presented one of the most exciting stands at this year\u2019s Uki<\/em>. To be fair, although aula.co is a newborn initiative, the project\u2019s host and participants have long established themselves in the world of photo-based publications. For instance, the zine Trash of America<\/em>, available at the fair, gave insight into the less attractive but all the more entertaining face of the USA through the lenses of \u00c9va Szombat, D\u00e1niel Hal\u00e1sz and Chantal Meng as well as the founder, Andrea Ausztrics. A limited edition of the photozine was available for purchase at the convention, packaged in a zip lock bag full of original American trash, extending the frontiers of zine-making into the third dimension.<\/p>\n

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Trash of America. aula.co, 2019. Photo: Bea Istv\u00e1nk\u00f3<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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The table of MAMA books<\/em> also featured well-known young photographers, with such classic photobook-type publications as Enik\u0151 Hodosy\u2019s bleu<\/em><\/a>, or Barnab\u00e1s Gajda\u2019s Fake Plastic Tree<\/em><\/a>. Although as its name implies, Ukmukfukk Zinefest<\/em> is an event dedicated to the genre of fanzine, it is important that photo- and artist\u2019s books from the subdivision of vertebrates<\/em> were also allowed to enter the fair. Next to the MAMA books<\/em> stand, FFS made its debut this year at Uki<\/em>. Functioning as the most important advocacy organisation of young photographers, FFS published a fanzine to accompany the exhibition of last year\u2019s newly admitted members (We don\u2019t play guitars<\/a>), and several members brought their own self-published zines to the fair. Alternative Fact<\/em>, the latest photozine by Domonkos Tam\u00e1<\/a>s N\u00e9meth<\/u> is worth special mention. The A4 format zine of altogether 13 numbered copies throws light on the alternative reality of our contemporary time with exciting visual gags.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Ukmukfukk Zinefeszt 2019. Photo: Zsolt Fics\u00f3r<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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A serious advantage of Ukmukfukk<\/em> compared to big international fairs is that beyond professional publishers and institution, it provides an opportunity for artists to present their individual works. For many artists making self-published photozines, this year was the first time they participated at the event. Anna \u00c1d\u00e1m - who is not a photographer primarily - was one of the newcomers. Known in the past years mainly for her performance art actions, she went ahead and delivered a number of drawing- and photo-based zines this year. The special feature of her signed and numbered fanzines is that owing to the handmade elements, each copy is unique. For instance, the booklet Regret, Remonds, R\u00eave<\/em><\/a> was made from found sheets of paper, featuring a hand-painted cover and sewn surfaces in 200 (!) copies. The series of black and white photographs in the booklets are identical, but thanks to the details made with a sewing machine and the diverse types of paper used, each copy can be regarded as a distinct artwork.<\/p>\n

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ACCIDENT II. DEPOSIT. Budapest, 2019. Photo: Bea Istv\u00e1nk\u00f3<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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In the yet to be published history of photozines, a separate chapter could be dedicated to booklets of found photographs. DEPOSIT<\/em> presented a number of such publications at Ukmukfukk<\/em>. Freshly published in 50 copies, ACCIDENT II.,<\/em> for instance, is the second in a line of zines presenting a thematic selection of images of 20th<\/sup> century traffic accidents. Packaged in a popcorn bag, another such thematic selection is \u2018cameraman\u2019<\/em><\/a>, which, as its title suggests, gives insight into the lives of cameramen at work.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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cameraman. DEPOSIT. Budapest, 2018. Photo: Bea Istv\u00e1nk\u00f3<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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Although photozines usually dispense with narrative, compiled also from found photographs by S\u00e1ri Sz\u00e1nt\u00f3 in 2016, DISPLACED<\/em><\/a> is an exception. Illustrator by profession, Moscow-based Sz\u00e1nt\u00f3 put together a pseudo-reportage on the story of the immigrants of a fictional island, told by photo collages accompanied by short passages of text.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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S\u00e1ri Sz\u00e1nt\u00f3: DISPLACED. Self-published, 2016. Photo: Bea Istv\u00e1nk\u00f3<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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One could easily hang out till the end of the day at the 2019 Ukmukfukk Zinefest<\/em> browsing among intriguing fanzines and publications, as this review could keep listing noteworthy booklets till the end of days, whether photo-based, illustrative or magazine-type. The greatest advantage of art festivals, fairs and demos similar to Uki<\/em> is perhaps that even just for a few hours, they give a comprehensive overview of current trends in a specific field of art. Perhaps even to those engaged in making independent publications on a daily basis, it was a surprising revelation at this year\u2019s Uki<\/em> just how colourful, diversified and populous the zine-scene really is in 2019 Hungary. Can\u2019t wait until next year!<\/p>\n

(Translation: D\u00e1niel Sipos)<\/p>\n

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01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

The aula.co table. Photo: Bal\u00e1zs Varju T\u00f3th.<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

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Notes<\/div>\n\t\t\t
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Ukmukfukk Zinefeszt 2019<\/a><\/p>\n

2019. m\u00e1jus 2. - m\u00e1jus 5.<\/p>\n

 <\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

“Nicknamed Uki, by now well-established and regarded amongst fanzine enthusiasts as a must-see event, the convention\u2019s mission is to popularise zine-culture in Hungary and bring the local zine community together \u2013 in other words, to create a kind of platform.”<\/p>\n","protected":false},"author":6,"featured_media":1073,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"spay_email":""},"categories":[9],"tags":[133,136,69,134,135],"acf":[],"yoast_head":"\nSewing Machine and Traffic Accident: UKI 2019 - PUNKT<\/title>\n<meta name=\"description\" content=\"Ukmukfukk Zinefest was organised again this year, for the fourth time. Nicknamed Uki, the convention\u2019s mission is to popularise zine-culture in Hungary.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/punkt.hu\/en\/2019\/05\/20\/sewing-machine-and-traffic-accident-uki-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sewing Machine and Traffic Accident: UKI 2019 - PUNKT\" \/>\n<meta property=\"og:description\" content=\"Ukmukfukk Zinefest was organised again this year, for the fourth time. 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