{"id":3548,"date":"2019-05-20T13:37:35","date_gmt":"2019-05-20T13:37:35","guid":{"rendered":"https:\/\/punkt.hu\/2019\/05\/20\/nem-ragaszkodas-a-muveszet-fogalmahoz\/"},"modified":"2019-10-08T08:59:50","modified_gmt":"2019-10-08T08:59:50","slug":"to-not-insist","status":"publish","type":"post","link":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/","title":{"rendered":"To Not Insist on Calling It Art \u2013 On Attila Cs\u00f6rg\u0151"},"content":{"rendered":"
\n<\/div><\/div><\/div><\/div>
\n\t
\n\t\t
\n\t\t\t

Since his comprehensive show at the Ludwig Museum in 2009, Attila Cs\u00f6rg\u0151 has not really been present in the Hungarian scene except for one or two appearances; rather, his works were featured internationally. Indicating the significance of his art, most recently he was selected into the chief curator\u2019s exhibition at the 57th<\/sup> International Art Exhibition of the Venice Biennale. Fortunately, winds seem to be changing at the home front as his presence has become more frequent, perhaps owing to his representation by the Glassyard Gallery, which was established only recently, in 2017, but has gained all the more importance already.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

\n\n\t\n\t
\n\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\"Attila\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t

01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Attila Cs\u00f6rg\u0151: Collisions. Photo: Ferenc Eln.\n<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

\n\t
\n\t\t
\n\t\t\t

Cs\u00f6rg\u0151\u2019s show Collisions<\/em> was organised in March 2018 by Glassyard, presenting a number of significant works, old and new alike, which had never been on display in Hungary. In a manner customary with Cs\u00f6rg\u0151, the show not only presented the most current developments and latest phase of his art, but also works from various periods to emphasise the organic and consistent character of his oeuvre and thought, constantly reinterpreting the meanings of this corpus and keeping its tectonics in dynamic motion. As if Attila Cs\u00f6rg\u0151 \u2013 and this was characteristic of Archimedean Point<\/em> as well \u2013 had always been putting a different selection of his works on show: every time another slice of with ever-changing correlations. <\/span>This permanently restructured system, dynamically progressing back-and-forth, yet always maintaining its constant and consistent quality, is also a characteristic of Cs\u00f6rg\u0151\u2019s individual works, like a self-reflective conformation.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

\n\n\t\n\t
\n\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\"Spaces\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t

01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Spaces for Manoeuvre. Photo: Tam\u00e1s Juh\u00e1sz G. <\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

\n\t
\n\t\t
\n\t\t\t

The well-thought-out quality of the presentation of his selected works is noteworthy, and it allows for a comparative analysis of his temporally dispersed exhibitions. Combined with the 2018 show Collisions<\/em>, Spaces for Manoeuvre<\/em> in 2019 seems to be the development, the expansion of Archimedean Point<\/em> from 2009 into an all but retrospective exhibition, as each show featured new, previously unseen works that had often originated in earlier periods. It is like observing a continuously expanding cluster or cloud that also keeps changing its shape.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

\n\n\t\n\t
\n\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\"Spaces\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t

01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Spaces for Manoeuvre. Photo: Tam\u00e1s Juh\u00e1sz G. <\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

\n\t
\n\t\t
\n\t\t\t

The corpus of Spaces for Manoeuvre<\/em> was conceived between 1991 and 2018, with more focus on his works from his years as a student in 1992-93 (painting at the Academy of Fine Arts, then studies in the Netherlands). The spectacular, elegant and sophisticated exhibition brought well-known motifs from Cs\u00f6rg\u0151\u2019s system of correlations into play. The artworks on display often reflected on one another, or one developed the other further but each was fundamentally unique and in a sense, closed (in another sense, radically open). To be precise, the objects on display were more than artworks: they were proposals to solve problems of time, space and movement, most of the time backed by a notable mathematical apparatus and special technological solutions.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

\n\n\t\n\t
\n\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\"Attila\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t

01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Attila Cs\u00f6rg\u0151: Magnet Spring, 1991. Photo: Tam\u00e1s Juh\u00e1sz G..<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

\n\t
\n\t\t
\n\t\t\t

A distinctive feature of the works is that they oscillate between a closed form, a system on the one hand, and its circumvention, subversion, deconstruction on the other hand \u2013 in other words, between order and disorder. Attila Cs\u00f6rg\u0151\u2019s way of thinking and problem-sensitive mindset could best be described with a resolute \u201cwhat if\u201d. He does not settle for the aesthetically appealing representation of reality or the real, nor for further developing most of the inherent artistic, pictorial, sculptural or photographic problems: instead, he poses the abovementioned question and dismantles various scientific and artistic discourses, takes down their boundaries and reassembles them into something quite unique, always dedicated to asking a specific question or solving a specific formula. Looking at his works, it is difficult to decide whether what we see is the reconstruction of a scientific problem that requires quite specific knowledge and expertise, or an artwork. As Cs\u00f6rg\u0151 himself phrased in an interview: \u201cI don\u2019t insist on calling it art\u2026\u201d This very lack of insistence is what makes his oeuvre so exciting and important.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

\n\n\t\n\t
\n\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\"Attila\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t

01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Attila Cs\u00f6rg\u0151, Dice Tectonics, 2015. Photo: Tam\u00e1s Juh\u00e1sz G.<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

\n\t
\n\t\t
\n\t\t\t

His works (seemingly) dismantle and deconstruct the notion of the artwork and meaning, as well as explicit great existential and metaphysical problems. The artist engenders his creations like an engineer of the utterly indeterminate but all the more exciting future, often leading to total dead-ends, behaving as self-cancelling signs, even if they do not effectively extinguish themselves. The most beautiful example of this is the structure of Clock-Work<\/em> (1993) with its astonishing simplicity, in which Cs\u00f6rg\u0151 merges the clockworks of two alarm clocks to propel each other in absurd perpetual motion while paradoxically measuring time contrary to each other, as the hands of the clocks progress symmetrically and systematically, but in opposite directions, thereby querying and undermining their purpose.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

\n\n\t\n\t
\n\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\"Attila\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t

01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Attila Cs\u00f6rg\u0151: Clock-work, 1993. Photo: Tam\u00e1s Juh\u00e1sz G.<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

\n\t
\n\t\t
\n\t\t\t

The corpus of previously unseen pieces includes a surprisingly high number of photo-based works, with special regard to the Pseudo-Artworks<\/em> (1993) series, which operates with the concept of readymade, merely recording objects and assemblages in his environment that appear to be artworks or installations on the street. However, we cannot find reassurance in regarding and interpreting these, as we keep being suspicious that what we see is not random, but the result of deliberate decision, in other words: a work of art. These works query the boundaries between work of art and non-art with their strongly ironic gesture of framing.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

\n\n\t\n\t
\n\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\"Attila\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t

01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Attila Cs\u00f6rg\u0151: Pseudo-works, 1993. Photo: Tam\u00e1s Juh\u00e1sz G.<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

\n\t
\n\t\t
\n\t\t\t

As usual, the treatment of the problems is exciting and sensual. From more personal works, which bear the marks of unique handiwork, such as the seemingly simple and absolutely adorable Vicious cubes<\/em> (2018), with its childishly folded paper structures that provide solutions to sophisticated topological problems, to technically more complex, much more perfectly crafted pieces, like Clock-work<\/em> (2011). Cs\u00f6rg\u0151\u2019s systems are constructed by the fusion of laws and randomness, with a predilection for exploiting errors and not striving for perfection by all means. One such case, not intended by the artist but fundamentally attractive in its fallibility, occurred when the author of this text was viewing the exhibition, and the discs of one of the Occurrence Graphs<\/em> got jammed, failing to display the curve calculated by the artist.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

\n\n\t\n\t
\n\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\"Attila\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t

01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Attila Cs\u00f6rg\u0151: Clock-work, 2011. Photo: Tam\u00e1s Juh\u00e1sz G.<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

\n\t
\n\t\t
\n\t\t\t

The drone of the rotating motor and the inert tremor of the immobilised discs appeared to ironically parenthesise the incessant endeavour of humanity and science to create perfect, closed systems devoid of any error.<\/p>\n

This almost certainly took place by far not against Attila Cs\u00f6rg\u0151\u2019s intentions.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

\n\n\t\n\t
\n\n\t\t\n\t\t
\n\n\t\t\t\n\t\t\t\n\t\t\t\t\"Attila\t\t\t<\/a>\n\n\t\t<\/div>\n\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t

01<\/span>03<\/p>\n\t\t\t\t\t\t\t\t\t\t

Attila Cs\u00f6rg\u0151: Incidence Curves, Triangle. 1998. Photo: Tam\u00e1s Juh\u00e1sz G. <\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>

\n\t
\n\t\t
\n\t\t\t
Notes<\/div>\n\t\t\t
\n\t\t\t\t

Attila Cs\u00f6rg\u0151: Spaces for Manoeuvre<\/p>\n

New Budapest Gallery<\/p>\n

19\/05 - 08\/03\u00a0 2019<\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Since his comprehensive show at the Ludwig Museum in 2009, Attila Cs\u00f6rg\u0151 has not really been present in the Hungarian scene except for one or two appearances; rather, his works were featured internationally.<\/p>\n","protected":false},"author":6,"featured_media":1376,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"spay_email":""},"categories":[9],"tags":[],"acf":[],"yoast_head":"\nTo Not Insist on Calling It Art \u2013 On Attila Cs\u00f6rg\u0151 - PUNKT<\/title>\n<meta name=\"description\" content=\"Since his comprehensive show at the Ludwig Museum in 2009, Attila Cs\u00f6rg\u0151 has not really been present in the Hungarian scene except for one or two appearances; rather, his works were featured internationally.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"To Not Insist on Calling It Art \u2013 On Attila Cs\u00f6rg\u0151 - PUNKT\" \/>\n<meta property=\"og:description\" content=\"Since his comprehensive show at the Ludwig Museum in 2009, Attila Cs\u00f6rg\u0151 has not really been present in the Hungarian scene except for one or two appearances; rather, his works were featured internationally.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/\" \/>\n<meta property=\"og:site_name\" content=\"PUNKT\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-20T13:37:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-10-08T08:59:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-nem-ragaszkodas-a-muveszet-fogalmahoz-02.jpg?fit=2000%2C1333&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"1333\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kassai L\u00e1szl\u00f3\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/punkt.hu\/#organization\",\"name\":\"PUNKT\",\"url\":\"https:\/\/punkt.hu\/\",\"sameAs\":[\"https:\/\/www.instagram.com\/punkt.hu\/\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/punkt.hu\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/i2.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-rolunk-01.png?fit=729%2C529&ssl=1\",\"contentUrl\":\"https:\/\/i2.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-rolunk-01.png?fit=729%2C529&ssl=1\",\"width\":729,\"height\":529,\"caption\":\"PUNKT\"},\"image\":{\"@id\":\"https:\/\/punkt.hu\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/punkt.hu\/#website\",\"url\":\"https:\/\/punkt.hu\/\",\"name\":\"PUNKT\",\"description\":\"PUNKT\",\"publisher\":{\"@id\":\"https:\/\/punkt.hu\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/punkt.hu\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/i0.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-nem-ragaszkodas-a-muveszet-fogalmahoz-02.jpg?fit=2000%2C1333&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-nem-ragaszkodas-a-muveszet-fogalmahoz-02.jpg?fit=2000%2C1333&ssl=1\",\"width\":2000,\"height\":1333,\"caption\":\"Attila Cs\\u00f6rg\\u0151: Incidence Curves, Triangle. 1998. Photo: Tam\\u00e1s Juh\\u00e1sz G.\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#webpage\",\"url\":\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/\",\"name\":\"To Not Insist on Calling It Art \\u2013 On Attila Cs\\u00f6rg\\u0151 - PUNKT\",\"isPartOf\":{\"@id\":\"https:\/\/punkt.hu\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#primaryimage\"},\"datePublished\":\"2019-05-20T13:37:35+00:00\",\"dateModified\":\"2019-10-08T08:59:50+00:00\",\"description\":\"Since his comprehensive show at the Ludwig Museum in 2009, Attila Cs\\u00f6rg\\u0151 has not really been present in the Hungarian scene except for one or two appearances; rather, his works were featured internationally.\",\"breadcrumb\":{\"@id\":\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/punkt.hu\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"To Not Insist on Calling It Art \\u2013 On Attila Cs\\u00f6rg\\u0151\"}]},{\"@type\":\"Article\",\"@id\":\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#webpage\"},\"author\":{\"@id\":\"https:\/\/punkt.hu\/#\/schema\/person\/b8c32ebc042ed27b9e4f07dce594ba20\"},\"headline\":\"To Not Insist on Calling It Art \\u2013 On Attila Cs\\u00f6rg\\u0151\",\"datePublished\":\"2019-05-20T13:37:35+00:00\",\"dateModified\":\"2019-10-08T08:59:50+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#webpage\"},\"wordCount\":179,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/punkt.hu\/#organization\"},\"image\":{\"@id\":\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-nem-ragaszkodas-a-muveszet-fogalmahoz-02.jpg?fit=2000%2C1333&ssl=1\",\"articleSection\":[\"Review\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#respond\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/punkt.hu\/#\/schema\/person\/b8c32ebc042ed27b9e4f07dce594ba20\",\"name\":\"Kassai L\\u00e1szl\\u00f3\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/punkt.hu\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/81ad2cb278a704ddfeb4b295e3e7029d?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/81ad2cb278a704ddfeb4b295e3e7029d?s=96&d=mm&r=g\",\"caption\":\"Kassai L\\u00e1szl\\u00f3\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"To Not Insist on Calling It Art \u2013 On Attila Cs\u00f6rg\u0151 - PUNKT","description":"Since his comprehensive show at the Ludwig Museum in 2009, Attila Cs\u00f6rg\u0151 has not really been present in the Hungarian scene except for one or two appearances; rather, his works were featured internationally.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/","og_locale":"en_US","og_type":"article","og_title":"To Not Insist on Calling It Art \u2013 On Attila Cs\u00f6rg\u0151 - PUNKT","og_description":"Since his comprehensive show at the Ludwig Museum in 2009, Attila Cs\u00f6rg\u0151 has not really been present in the Hungarian scene except for one or two appearances; rather, his works were featured internationally.","og_url":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/","og_site_name":"PUNKT","article_published_time":"2019-05-20T13:37:35+00:00","article_modified_time":"2019-10-08T08:59:50+00:00","og_image":[{"width":2000,"height":1333,"url":"https:\/\/i0.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-nem-ragaszkodas-a-muveszet-fogalmahoz-02.jpg?fit=2000%2C1333&ssl=1","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Written by":"Kassai L\u00e1szl\u00f3","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Organization","@id":"https:\/\/punkt.hu\/#organization","name":"PUNKT","url":"https:\/\/punkt.hu\/","sameAs":["https:\/\/www.instagram.com\/punkt.hu\/"],"logo":{"@type":"ImageObject","@id":"https:\/\/punkt.hu\/#logo","inLanguage":"en-US","url":"https:\/\/i2.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-rolunk-01.png?fit=729%2C529&ssl=1","contentUrl":"https:\/\/i2.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-rolunk-01.png?fit=729%2C529&ssl=1","width":729,"height":529,"caption":"PUNKT"},"image":{"@id":"https:\/\/punkt.hu\/#logo"}},{"@type":"WebSite","@id":"https:\/\/punkt.hu\/#website","url":"https:\/\/punkt.hu\/","name":"PUNKT","description":"PUNKT","publisher":{"@id":"https:\/\/punkt.hu\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/punkt.hu\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"ImageObject","@id":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#primaryimage","inLanguage":"en-US","url":"https:\/\/i0.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-nem-ragaszkodas-a-muveszet-fogalmahoz-02.jpg?fit=2000%2C1333&ssl=1","contentUrl":"https:\/\/i0.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-nem-ragaszkodas-a-muveszet-fogalmahoz-02.jpg?fit=2000%2C1333&ssl=1","width":2000,"height":1333,"caption":"Attila Cs\u00f6rg\u0151: Incidence Curves, Triangle. 1998. Photo: Tam\u00e1s Juh\u00e1sz G."},{"@type":"WebPage","@id":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#webpage","url":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/","name":"To Not Insist on Calling It Art \u2013 On Attila Cs\u00f6rg\u0151 - PUNKT","isPartOf":{"@id":"https:\/\/punkt.hu\/#website"},"primaryImageOfPage":{"@id":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#primaryimage"},"datePublished":"2019-05-20T13:37:35+00:00","dateModified":"2019-10-08T08:59:50+00:00","description":"Since his comprehensive show at the Ludwig Museum in 2009, Attila Cs\u00f6rg\u0151 has not really been present in the Hungarian scene except for one or two appearances; rather, his works were featured internationally.","breadcrumb":{"@id":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/punkt.hu\/en\/"},{"@type":"ListItem","position":2,"name":"To Not Insist on Calling It Art \u2013 On Attila Cs\u00f6rg\u0151"}]},{"@type":"Article","@id":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#article","isPartOf":{"@id":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#webpage"},"author":{"@id":"https:\/\/punkt.hu\/#\/schema\/person\/b8c32ebc042ed27b9e4f07dce594ba20"},"headline":"To Not Insist on Calling It Art \u2013 On Attila Cs\u00f6rg\u0151","datePublished":"2019-05-20T13:37:35+00:00","dateModified":"2019-10-08T08:59:50+00:00","mainEntityOfPage":{"@id":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#webpage"},"wordCount":179,"commentCount":0,"publisher":{"@id":"https:\/\/punkt.hu\/#organization"},"image":{"@id":"https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-nem-ragaszkodas-a-muveszet-fogalmahoz-02.jpg?fit=2000%2C1333&ssl=1","articleSection":["Review"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/punkt.hu\/en\/2019\/05\/20\/to-not-insist\/#respond"]}]},{"@type":"Person","@id":"https:\/\/punkt.hu\/#\/schema\/person\/b8c32ebc042ed27b9e4f07dce594ba20","name":"Kassai L\u00e1szl\u00f3","image":{"@type":"ImageObject","@id":"https:\/\/punkt.hu\/#personlogo","inLanguage":"en-US","url":"https:\/\/secure.gravatar.com\/avatar\/81ad2cb278a704ddfeb4b295e3e7029d?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/81ad2cb278a704ddfeb4b295e3e7029d?s=96&d=mm&r=g","caption":"Kassai L\u00e1szl\u00f3"}}]}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/punkt.hu\/wp-content\/uploads\/2019\/05\/punkt-nem-ragaszkodas-a-muveszet-fogalmahoz-02.jpg?fit=2000%2C1333&ssl=1","_links":{"self":[{"href":"https:\/\/punkt.hu\/en\/wp-json\/wp\/v2\/posts\/3548"}],"collection":[{"href":"https:\/\/punkt.hu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/punkt.hu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/punkt.hu\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/punkt.hu\/en\/wp-json\/wp\/v2\/comments?post=3548"}],"version-history":[{"count":15,"href":"https:\/\/punkt.hu\/en\/wp-json\/wp\/v2\/posts\/3548\/revisions"}],"predecessor-version":[{"id":3575,"href":"https:\/\/punkt.hu\/en\/wp-json\/wp\/v2\/posts\/3548\/revisions\/3575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/punkt.hu\/en\/wp-json\/wp\/v2\/media\/1376"}],"wp:attachment":[{"href":"https:\/\/punkt.hu\/en\/wp-json\/wp\/v2\/media?parent=3548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/punkt.hu\/en\/wp-json\/wp\/v2\/categories?post=3548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/punkt.hu\/en\/wp-json\/wp\/v2\/tags?post=3548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}