This exhibition at Studio Gallery, the venue of the Studio of Young Artists’ Association (FKSE), would not seem out of place in a similarly specced space in Prague, Vienna or Berlin, while its subject is very accessible for anyone familiar with virtual interfaces and images.
Gábor Gerhes is like the Bibliographic Institute of Brussels: he adds to the (epistemological) chaos, as there is nothing else he can do, he sees no way out, not even a tiny hole through which he could get a glimpse of reality, the splendid world of permanently established cardinal meanings where nothing is false and everything is true.