Márton Mónus: 90 minutes

“Oltalom” Sports Club tries to provide regular and free sports opportunities for those in need (some of the players came from deep poverty, or there are refugees, mentally handicapped, homeless or other disadvantaged children).


Zsófia Sivák: Our Prices are in Forints (2018 – )

In the recent years several rural taverns had to close its doors permanently or had to transform themselves into something totally different, deprived from their original functions. In my photo series I am going to visit and photograph the pubs which are still in business in Heves county’s settlements under the population of 3000 inhabitants.

Identity and self-identity – Anikó Robitz: Woven Mirror

Woven Mirror is a new series centred on the concept of identity and self-identity, which I began at the end of 2019. For these pictures, I cut photos, printed on canvas, and reflective leatherette into stripes of varying width, interwove them, and mounted them on stretchers. While the vocabulary of forms continues to be geometric, these new works are multi-layered and reach out into the third dimension.

Marcell Piti: Their Own Masters

In the end, the portraits show them the way I see them. Defying the mainstream, the experience society’s attachment to comfort, these people are their own masters.

Images from You Are Here, the album of Tibor Gyenis

Geometry informs the images of the landscape interventions, of the objects Tibor Gyenis placed in natural settings, and similar formal principles applied when he carved or cut out parts of the photographs’ mounts.

Attila Bartis – Old and Recent Work (2014–2019)

Bartis releases the viewer from the constraint of analytical thinking, and encourages you to consider life, your own life, from a viewpoint that is somehow visceral, impossible to describe in reasonable terms—one that yearns for transcendence.


Imre Benkő: China, 1984–2019

“I was lucky as a young photographer to be able to work in various Asian countries. I was taken by the distinctive lifestyles of nations living in different social systems, and I became more and more intrigued by what it was I could visualize with photography.”

Lenke Szilágyi: Post-Soviet 1990–2002

People in Russia, said Lenke Szilágyi in an interview, still consider being photographed as a friendly gesture. The characters in her shots do indeed seem untroubled by the presence of the photographer, and many of them look into the lens with a friendly expression.

Mónika Üveges: The Anthropocene as a Geological Dividing Line

Visual artist Mónika Üveges graduated as a painter at the Hungarian University of Fine Arts in 2019. Formerly she attended the Vocational School for Fine and Applied Arts, where she studied photography. Her works explore the passages between painting, sculpture and photography, as she extends the traditional formats of the painting by creating relief-like, physical objects.

Always leave a white patch in the picture – László Moholy-Nagy 125

László Moholy-Nagy, one of the most influential Hungarian artists of all times was born on this day 125 years ago, on 20 July, 1895. He was a visual artist, photographer, typographer, designer, thinker and educator, whose experimental thinking and work as a progressive artist influenced all that we now consider the art of the 20th century. We salute Moholy-Nagy’s photographic output with the following selection of works.

Travelling Issues – Artists at Home, 2.

In the first instalment of our gallery series, “Artists at Home,” we looked at how people’s relationship to private space, to their homes, changed during the epidemic, with viewpoints offered by four contemporary artists. The second part of the series presents a project each by an Italian and a Swedish artist, who use stills and film produced by Google to highlight changes in how the world is perceived, and how you can take a journey in virtual space.