Last autumn the Hungarian National Gallery held its first contemporary pop-up exhibition, linked to the temporary exhibitions. This summer saw the opening of the third part of the thematic series, the pop-up exhibition Camera Lucida, accompanying the Fortepan photography exhibition Every Past is My Past.
Gábor Gerhes is like the Bibliographic Institute of Brussels: he adds to the (epistemological) chaos, as there is nothing else he can do, he sees no way out, not even a tiny hole through which he could get a glimpse of reality, the splendid world of permanently established cardinal meanings where nothing is false and everything is true.